[访谈]反思絮语

各种微观的去中心的艺术在地实验正在各地发生这是文化上的生态多样性的开始它最终可能不会成为令人瞩目的浪潮而是自成小溪滋养各个角落—— 罗菲

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SEE AND BE SEEN

Artist Alfred Vaagsvold’s exhibition at TCG Nordica

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不可化约的剩余物

这不断重复的对日常什物和生活在形象上的位移与流放,成为一种基于景观社会的抵抗,也是一种实践逃离的自由。

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一根针 Needle Piece

Holding and Seeing a needle, didn’t blink my eyes.
Counting 250 seconds, which is the number of the audience in the exhibition hall.
After 100 seconds, tears came out fell across my cheek, because of dry eyes.

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哭墙 The Wailing Wall

The artist walled, touched, beat the ancient wall of Nanjing, and continuously took blank piece of little papers from his mouth and stuffed them into the cracks in the wall.

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HUMAN DRIVEN 人力驱动:一场艺术与骑行的邂逅

在“人力驱动:一场艺术与骑行的邂逅”艺术展上,我们尝试呈现那些与自行车精神与记忆有关的艺术,那种以“个人自己的力量”去践行的艺术,那种向往融入到比自身更广阔世界中去的驱动力。“人力驱动”不只是自行车的运动原理,也是一种内在的美学品格。在这里,艺术家们让自己的双手乃至整个身体完全投入到创作表达中,以此推动某些事物前行。

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指上唐突:唐志冈纸本作品展

2018年1月21日下午3时,“指上唐突——唐志冈纸本作品展”在文达画廊举行开幕仪式。此次展览由独立策展人林善文策划,并由文达画廊、精品消费报与云南油画学会共同主办。著名批评家、云南大学教授管郁达担任学术主持,著名批评家吴鸿、杜曦云、罗菲、张光华担任艺术批评。更多信息请访问这里

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