罗菲：艺术家/写作者/策展人。1982年生于重庆，目前生活和工作于昆明。曾任丽江工作室基金会“江湖”项目协调人，昆明TCG诺地卡文化中心艺术总监。
2002年至今罗菲主要从事多媒介艺术创作，包括但不限于行为、装置、绘画、实地录音等。罗菲活跃于本地及国际交流项目，策划和参与的项目在瑞典、挪威、瑞士、丹麦、芬兰、荷兰、美国、澳大利亚、泰国、香港、澳门及中国内地展出。
罗菲主要关注全球资本主义语境下的日常生活情境以及精神叙事，他视艺术为一系列构建资本主义框架之外的替代性人际关系和日常生活情境的行动策略。罗菲擅长以朴素的身体语言，通过服务、仪式或游戏形式，在政治、文化习俗和个人精神轨迹的交汇处，构建临时的可供观众参与或沉思的日常情境。
作为策展人和写作者，罗菲致力于当代艺术在本地的发展与推广，为中国当代艺术在全球环境中的协作与对话搭建桥梁。其作品和文章主要收录于《中国先锋艺术思想史卷一：世界关系美学》、《人文艺术》、《艺术时代》、《艺术当代》、《画廊》等出版物。个人中英文双语文集《从艺术出发：中国当代艺术随笔与访谈》于2014年由上海三联书店出版发行。
Luo Fei: artist / writer / curator. He was born in Chongqing in 1982 and currently lives and works in Kunming. He graduated from Yunnan Arts University, majoring in painting (Bachelor) and Fine Arts Study (Master).
He was the project coordinator of “Jianghu” Project at Lijiang Studio Foundation and former artistic director of TCG Nordica Cultural Center in Kunming.
Since 2002, Luo Fei is mainly engaged in multi-media art creation, including but not limited to performance, installation, painting, field recording and so on. Luo Fei is active in local and international exchange projects, planning and participating in projects exhibited in Sweden, Norway, Switzerland, Denmark, Finland, the Netherlands, the United States, Australia, Thailand, Hong Kong, Macau and mainland China.
Luo Fei mainly pays attention to the daily life situation and spiritual narrative in the context of global capitalism. He regards art as a series of action strategies to construct alternative relationships and daily life situations outside the framework of capitalism. Luo Fei excels at constructing temporary everyday life situations that are available for audience participation or contemplation in the form of service, ritual or play, in plain body language, at the intersection of politics, cultural practices and personal spiritual trajectories.
As a curator and writer, Luo Fei is committed to the development and promotion of contemporary art locally, building a bridge for the cooperation and dialogue of Chinese contemporary art in the global environment. His works and articles are mainly collected in “Volume I of the History of Chinese avant-garde Art thought: World Relations Aesthetics”, “Humanities Art”, “Art Time”, “Art Contemporary”, “Gallery” and other publications. His personal collection of Chinese and English bilingual essays, Starting From Art: Essays and Interviews on Chinese Contemporary Art, was published by Shanghai Joint Publishing House in 2014.